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This monumental armchair was probably
made by either Ambrose Wright of Tarrytown,
New York, or Richard Byrne of White Plains,
New York, about 1855. The strength of its
vertical and architectural form is partially
derived from the use of oak. American Gothic
Revival furniture in the 1840's and ‘50's
was often constructed from oak. Originally
this chair was part of a larger set of seven chairs,
two armed, and four armless, that were
supposedly in the entrance hall of the
Hudson River villa 'Wyndclyffe. This large
and grand mansion, was built in 1853 for
Elizabeth Schermerhorn Jones by the Scottish
builder, George Veitch, who may also have
designed this chair.
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